At Giunti Odeon the highly anticipated new Marvel film! Even when they faced the worst dangers in the universe, the Avengers were always a force for hope, do-gooders who could do this all day long. But one thing is certain: the Thunderbolts are not the Avengers. The new MCU film brings together a brand new team, not of primary coloured superheroes, but of misfits and misanthropes. There's Florence Pugh's Yelena Belova, a Black Widow assassin with a sarcastic streak; Sebastian Stan's Bucky Barnes, a former Russian cyborg sleeper agent; Wyatt Russell's disgraced anti-Cap, John Walker; Hannah John-Kamen's shape-shifting foe Ghost; David Harbour's Soviet soldier Red Guardian; Taskmaster, who can mimic like crazy. And Lewis Pullman's mysterious wildcard, “Bob”. Ideally, not the crew you would choose to save the world.Oops!

At Giunti Odeon the first appointment of the retrospective The Big Dreamer: the cinema of David Lynch, with one of his masterpieces: WILD AT HEART, in a new 4K version on the occasion of the 35th anniversary of its release. From a novel by Barry Gifford. Sailor, on parole, and Lula, a runaway, love each other madly and attempt to reach Texas. A chase thriller that has the cadences of a black film, the manners of a street movie and the excesses of violence of a gothic melodrama. Lynch connotes his cursed story of the Deep South with an ironic and parodistic dimension that overturns its meaning and reveals its true nature as a comic fable, in the ‘low’ meaning of the word, but also close to the comic strip, that of two lovers crossing an atrocious world with a wild heart. Even when seemingly conforming to the laws of a genre, Lynch remains an impressionistic and grotesque visionary who looks at today's America with a pitiless eye. Golden Palme at the Cannes Film Festival in 1990.

At Giunti Odeon an important documentary about our eating habits and the way we treat animals, and the effects this has on our planet and our care. Filmmaker Thomas Pickering has never eaten meat. Born in the 1980s and raised vegetarian, he later switched to a vegan diet. Tom has always believed in doing the right thing for animals, for his health and, more recently, for the planet. Despite this, not a day goes by without someone telling him ‘I could never go vegan’ From ‘where do you get your protein’ and ‘soya is destroying the rainforests’ to ‘vegan food is expensive’ and ‘climate change doesn't exist’, he has heard it all. So Tom decides to embark on a journey to investigate the many reasons he has heard over the years, to see if they are well-founded or if his upbringing has been one big plant-based scam. On his way, Tom meets several top athletes, witnessing world records, championship successes and an 84-year-old competing in his sixth ultramarathon. He talks to doctors, environmental scientists, psychologists and chefs. He follows investigative journalists and activists as they infiltrate intensive livestock farms, where he discovers that the A grade awarded to the UK for its farming practices is not what it seems...

A great manifesto about love, peace, music, revolution. After its presentation at the Venice Film Festival and the Sundance Film Festival, Giunti Odeon now presents ONE TO ONE: JOHN & YOKO, the docufilm by Oscar®-winning director Kevin Macdonald. It is the beginning of the 1970s and John Lennon and Yoko Ono leave the UK to move to New York: they are the golden couple of the counterculture, their political and social commitment is unceasing in those months, alongside the likes of Allen Ginsberg and Jerry Rubin, but they are also looking for Kyoko, their daughter Yoko, and are worried about FBI wiretaps. In their small flat, which has been faithfully reproduced for the film, the TV is the window on the world: images of the political and social scene with the horrors of the Vietnam War and the first cracks of Watergate chase each other across the screen, alternating with light-hearted advertising jingles, like forced smiles that are not enough to hide the discontent of the people rising up. Fascinated by an investigation into the children of Willowbrook State School, they organise the One to One Benefit Concert: two concerts held on 30 August 1972 (afternoon and evening) at New York's Madison Square Garden with Plastic Ono Elephant's Memory Band and which will remain Lennon's only complete live performance since the Beatles.  The film combines live music, with audio from the One to One Benefit Concert remastered and produced by Sean Ono Lennon, and intimacy with never-before-seen home movies and numerous recordings of John and Yoko's phone calls with friends and associates, offering a unique perspective on a pivotal period in the lives of one of the most iconic couples in music history.

Twenty years after its theatrical release, one of Tim Burton's and international animation cinema's masterpieces returns to the big screen at Giunti Odeon. 19th century. The young and insecure Victor is about to marry his peer Victoria in a marriage arranged by his parents. The two meet for the first time during the rehearsal of the ceremony and, fortunately for them, there is an immediate spark. To their misfortune, however, Victor is so nervous that he is terribly clumsy, leading to the postponement of the wedding. Dismayed by what has happened, he takes refuge in the nearby forest to practise pronouncing the wedding oath. To make sure he performs each step perfectly, he even slips his wedding ring into a branch peeping out of the ground. Suddenly, however, the skeleton of a woman dressed as a bride emerges from the ground: she says her name is Emily and she intends to make Victor fulfil his involuntary promise of love. The film will be presented by a special guest: Carlos Grangel, who created the film's characters for Tim Burton and is one of today's leading Character Designer (his work has been exhibited in some of the world's most important cultural institutions, including the MoMa in New York and the Cinématheque Francais in Paris).