Giunti Odeon presents the new film by one of the greatest masters of contemporary Korean cinema, Park Chan-wook (Old Boy, Thirst, Decision to Leave), starring Lee Byung-hun, the lead actor in the cult TV series Squid Game. The film, which was in competition at the last Venice Film Festival and is in the running for the Academy Awards, tells the story of You Man-su, a paper manufacturing specialist with twenty-five years of experience, who leads a simple and peaceful life with his wife Miri and their two children. His work is more than just a profession, it is what shapes his identity: “I have everything I want,” he can say with pride. However, when his company fires him without warning, his life falls apart and he risks losing everything he has built: his mortgage, the greenhouse he tends with passion, dance lessons with his wife, even the upkeep of the two golden retrievers to which his children are very attached. In desperation, he tries everything he can by applying to Moon Paper, the company where he is certain he can prove his worth. Convinced that he deserves the job more than anyone else, he makes a very specific decision: ‘If there's no place for me, I'll find a way to make room for myself.’ How far will he be willing to go if there is no other choice?

The film is prohibited for children under 14 years of age.

Fifty years after its release, Miloš Forman's masterpiece One Flew Over the Cuckoo's Nest returns to the big screen at Giunti Odeon, in a stunning 4K restoration by the Academy Film Archive. A subversive work, a hymn to freedom that triumphed at the Oscars in all the main categories: Best Film, Best Director, Best Actor (the extraordinary Jack Nicholson), Best Actress (Louise Fletcher, in the role of the tyrannical Nurse Ratched) and Best Adapted Screenplay (from Ken Kesey's bestseller). Candle McMurphy, arrested for minor offences, is taken to a psychiatric clinic, where he tries to pretend to be crazy to escape prison. Here he comes into contact with the other patients, quickly becoming their favourite: he makes fun of the psychoanalysis sessions, improvises as a commentator and organises a small boat trip. The hospital is run by the iron-fisted head nurse, Miss Ratched, who has organised the patients' lives according to rules of uncompromising discipline.
An unmissable opportunity to immerse yourself on the big screen in the unforgettable world of that group of outcasts, eccentrics, misunderstood and marginalised people who made cinema history.

Giunti Odeon presents Paolo Sorrentino's eagerly awaited new film, starring the extraordinary Toni Servillo, who won the Coppa Volpi for Best Actor at the Venice Film Festival, where the film had its world premiere as the opening title.

Mariano De Santis, the President of the Republic, is at the end of his term; he has in fact entered the white semester. Widowed for eight years from his wife Aurora, whom he still misses very much, he is a Catholic and author of a criminal law manual described as the Himalaya K3. He has two children: Dorotea, a lawyer like him, is always by his side and always checks his meals to ensure he eats healthily; Riccardo, a musician (but not of classical music as he had hoped), lives in Montreal. In these last months of his term, he also discovers his nickname, “Reinforced Concrete”. But above all, he faces two moral dilemmas. The first concerns the request for clemency for Isa Rocca, who killed her husband in his sleep after being abused for a long time, and for Cristiano Arpa, who killed his wife who was suffering from Alzheimer's disease. The second: he does not know whether or not to sign the law on the right to euthanasia. These doubts torment him, along with a past that keeps resurfacing and whose hidden truths he is trying to uncover.

Giunti Odeon presents the grand finale of its comprehensive retrospective dedicated to David Lynch, with Inland Empire, his latest film, re-released for the occasion exactly 20 years after its theatrical release. In an elegant residential neighbourhood located in a valley on the outskirts of Los Angeles, a woman is in trouble. She is in love and surrounded by a thick aura of mystery. Her story will intertwine with that of an actor who has just been chosen to play the role of a southern gentleman in a major production... Inland Empire is not a coherent, linear film with a definable beginning and end, but is first and foremost a sensory experience. It is the free flow of an artist's thoughts, requiring no explanation, only intuition and personal emotions, whether positive or negative. One could talk about parallel worlds, reality and fiction merging, meeting and parting ways, cinema and television (and film and digital), and the concept of time as non-sequential, random and absolute.