Exactly fifty years after Pier Paolo Pasolini's tragic death, five meetings dedicated to the great director will allow participants to venture into one of the most original and exciting authorial journeys in the entire history of cinema. Pasolini explored the possibilities of cinematic language from a very personal point of view, defining it as “the written language of reality”, capable of showing the changes and contradictions of Italian society at the turn of the 1960s and 1970s. This research brings together some of Pasolini's great cultural influences, including Marxism, religion, myth, the body and painting, which were never separate from one another.

Meeting 3: The City of God

The Gospel According to Matthew (1964) represents Pasolini's first film-world, summarising his poetics and style in the first half of the 1960s, as well as the aesthetic and moral form of his idea of cinema. A film in the form of a sacred magmatic representation, where Marxism, Christianity and humanism give shape to a Gospel devoid of rhetoric, with an anarchic Christ above reason, in a South where the signs of the sacredness of life can still be glimpsed.