Exactly fifty years after Pier Paolo Pasolini's tragic death, five meetings dedicated to the great director will allow participants to venture into one of the most original and exciting authorial journeys in the entire history of cinema. Pasolini explored the possibilities of cinematic language from a very personal point of view, defining it as “the written language of reality”, capable of showing the changes and contradictions of Italian society at the turn of the 1960s and 1970s. This research brings together some of Pasolini's great cultural influences, including Marxism, religion, myth, the body and painting, which were never separate from one another.

Meeting 5: In search of the lost myth

In the last part of his career, Pasolini confronted one of the strongest cultural roots of his artistic and intellectual journey: Greek myth. First in Oedipus Rex (1969) and then in Medea (1970), Pasolini showed a strength and richness still available to man today, myth being the dark and vital core of lived experience. This theme continued in the three films of the “trilogy of life”, only to be interrupted in his last film, Salò or the 120 Days of Sodom (1975).